Interview: Şener Yılmaz Aslan
How did your adventure begin, how you became interested in photography when you were studying architecture? The skylines of the cities where I have lived were the first reason for me to take my camera in my hand. Photography has always continued along with architecture, and I want to keep both of them in my life despite all the difficulties.
Could you tell us the formation stages of your photos, how do your projects emerge?
The formation of my projects progresses in a whole, marking the space light, light colours, colours and model. Given the negative effects of dealing with all of these in a disjointed way, I wait my senses to reach the integrity before programming the shoot.

Do you show a special effort to stay away from eroticism in your photos? Or you see eroticism as a part of your job?
Today, we see that the artist type, who believes in the spiritual values, has been replaced by post-artist type, who is wired into the requests of the market. The fiction in my photos is the reflection of my spiritual world, therefore, it does not require any effort which is stranger to myself.
